
Much as Arthur Rubinstein enjoyed making recordings, he loved to play in public even more, and his extant live performances usually communicate more verve, sweep,
No timbral difference distinguishes RCA’s SACD of Arthur Rubinstein’s 1961 Chopin E minor concerto recording from the label’s most recent transfer in its complete Rubinstein
These are all of Arthur Rubinstein’s pre-World War II Chopin EMI recordings, save for three Mazurkas recorded in 1930 that the pianist remade in 1938/39
Both of these broadcast performances featuring Arthur Rubinstein previously have been available on CD. However, Arts Archives’ remastering boasts superior ambient presence and detail. Stylistically
Arthur Rubinstein’s 1964 recital in the Moscow Conservatory’s Great Hall was preserved in the Russian State television archives, and now is released for the first
At 86, Arthur Rubinstein (the pianist always spelled his first name with an “h” in America) still played beautifully, as his 1973 Concertgebouw performances of
To several generations of music lovers, Arthur Rubinstein and Frédéric Chopin were one and the same, and it’s entirely fitting for Sony/BMG to lavish “Original
Here are 80 minutes’ worth of highlights from Arthur Rubinstein’s April 20, 1963 recital in Nijmegen, and “high” is the operative word. The performances bring
The sound for Piatigorsky and Solomon’s 1954 Beethoven sonata recordings is more focused and better defined than ever before. You can hear all sorts of
Although RCA’s 1954 Rubinstein/Reiner Brahms First Concerto originally appeared in mono, an experimental stereo version surfaced in the late 1970s, offering a fuller, more three-dimensional