
The cliché “solid steel” applies to Anna Vinnitskaya’s fingerwork in the Chopin Ballades. Indeed, technical difficulties do not exist for this pianist, although her interpretations
There’s nothing particularly wrong with these performances, but honestly, do we really need them? Pianist Anna Vinnitskaya has nimble fingers, and in the First Concerto
Anna Vinnitskaya has a formidable technique: the crazy cadenza in the first movement of the Prokofiev holds no terrors for her, and she shapes it