
Couperin on piano? The idea is not so far-fetched as it may seem. After all, none other than Johannes Brahms edited his complete keyboard music
In his biography of Arthur Rubinstein, Harvey Sachs credited James Levine with the perceptive observation that many of today’s interpretations are either anonymous or eccentric.
Once upon a millennium, there was the creation of the Well-Tempered Clavier. And it was good. And it was final. No composer need bother with