
This aptly titled sampling from countertenor Andreas Scholl’s Harmonia Mundi discography (he made some 16 recordings for that label before signing with Decca) begins with
No matter what other varied projects countertenor Andreas Scholl has pursued, he remains at his considerable best when he sings the great Baroque opera arias,
You could spend many hours of listening and fill dozens of pages of text to expound the similarities, differences, felicities, inconsistencies, and relative merits of
Those who missed Christophe Coin’s three earlier recordings for Astrée devoted to Bach’s cantatas featuring arias with prominent violoncello piccolo accompaniment will delight in this
This beautiful, moving oratorio has been lucky on discs. Currently available are John Eliot Gardiner’s superb account on Philips and a performance on Naxos led
This is a re-release of (what I believe was) Andreas Scholl’s first opera aria CD. At the time it annoyed me that almost half the
Beginning with his early decisions regarding the course of his vocal development and running through his selection of roles, repertoire, and recording programs, countertenor Andreas
The voice is beautiful–gorgeous, even. I’ve said this before and I say it again without reservation. And countertenor Andreas Scholl is one of the most
So here he is again, the world’s best countertenor in another display of uncommon vocal virtuosity. But the difference between Andreas Scholl’s singing and that
Just when you question the need for yet another recording of . . .(fill in the blank), you hear something–a recording such as this one–that