
One month after Glenn Gould set down his celebrated 1981 remake of Bach’s Goldberg Variations, Alexis Weissenberg recorded his own second version, reissued here for
Rehearing these 1982 recordings leaves a mixed impression. Anne-Sophie Mutter (then 19 years old) is too forwardly balanced, diverting attention from the piano, which in
No question about it, pianist Alexis Weissenberg had technique to kill. Kill the music, that is. His Chopin Nocturnes are either unduly rushed, hammered out