
For John Cage is (in this performance) a 72-minute work for violin and piano. Like Feldman’s “carpet” pieces, it consists of repetitive patterns that slowly
Aleck Karis may be one of America’s most outstanding contemporary-music pianists, yet he shrivels in the face of Chopin’s late works. Granted, Karis’ technique and
It’s difficult to dispute the charge that so much of Glass’ music sounds the same–a phenomenon distinct from claiming that it shows the composer’s personal