

Picking up where Boris Godunov leaves off, this opera’s center is the false Dimitri who, certain of his legitimacy, enters Moscow with his Polish army

Both of Glazunov’s concertos are late works, little known in today’s concert halls. They do not deserve their neglect. No less a musical luminary than

Glazunov composed relatively little music for solo piano despite being acclaimed as a superb performer on the instrument. This excellent disc contains his complete output

Yes, Vox is (was) still making new recordings, and so is (was) violinist Aaron Rosand. This one is superb. The excellence of the Malaysian Philharmonic

So much of Glazunov’s music reminds me of tepid bath water. It’s very comfortable, but not very stimulating, and it cools off too quickly. And

Nathan Milstein was without question one of the handful of

Naxos’ Scarlatti cycle descends to the bottom of the proverbial barrel for Volume 30, one of this series’ outright duds. The close microphone placement and

My Uncle Sam had one of the coolest jobs of

Enescu’s Third Symphony is one of those “everything including the

George Enescu graduated from the Vienna Conservatory at age 11, and in some respects his music fulfills our expectations of a child prodigy for whom
![]()
