

This collection groups together three previously issued film scores by three great composers of Hollywood’s “Golden Age”, all written for horror movies. When I was

Although most of Heinrich Schütz’s surviving music is for the church, his first published work was this set of Italian madrigals–a remarkable collection of pieces

With this entertaining and unusual CD, Frederic Chiu completes his admirable survey of the piano works of Prokofiev. Although the disc may have the appearance

Of Doremi’s ongoing Richter series, the present release is perhaps the most valuable. On balance, this live Brahms B-flat from Bucharest is Richter’s finest recording

The recent good fortune of Shostakovich string quartets on disc continues with this CD, the first step in a new complete cycle. The all-female Sorrel

Now that its monumental Bach edition has been accomplished, Hänssler Classic launches another giant project. This CD marks the beginning of a new complete cycle

Friedenstag is probably Richard Strauss’ least successful mature opera. Premiered in l938 in Dresden, it was first performed in Vienna in 1939 with Hitler in

Hindemith’s Violin Concerto is one of his finest works in concerto form. It has attracted the talents of violinists from Isaac Stern to David Oistrakh,

A marginal figure in the great 20th century renaissance of English music, Constant Lambert was potentially one of the period’s most talented composers. Unfortunately he

This silly movie brought all of your favorite 1930s and ’40s movie monsters–Frankenstein, Dracula, and the Wolfman–together for the first time. The reasons, not surprisingly,
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