Violinist Curtis Macomber probably is best-known, at least on recordings, for his advocacy of contemporary works. However, here he plays the unabashedly romantic violin sonatas of Edvard Grieg. Although it’s a mistake to generalize–many advocates of new music are unabashed romantics–Macomber’s cleanly articulated, rhythmically straightforward interpretations are very much in the modern style. They are affectionate and well-characterized, too–notice how tenderly he and pianist Marija Stroke caress the central section of the Second sonata’s Allegretto tranquillo, for example–and in general the duo’s subtle use of rubato sounds more stylistically apt than the more overtly “romantic” sighing and swaying of Pierre Amoyal and Frederic Chiu. With brisk tempos and nicely-sprung rhythms, Macomber and Stroke emphasize the music’s freshness. The opening movement of the First sonata is particularly delightful, with a balletic lightness reminiscent of the composer’s elfin character studies.
Macomber’s tone is on the lean side, and there are a few places–particularly the slow movement of the Third sonata–where more silky opulence would have been welcome. Also, the piano is a bit too recessed to provide an ideal balance between the instruments, although otherwise the sound quality is admirably clear and vivid. Indeed, those looking for a recording of these unfailingly charming sonatas should find plenty to savor in Macomber and Stroke’s spirited performances. Warmly recommended.
