The Quatuor Mosaïques’ Haydn traversal continues with lovely, lithe readings of three Op. 64 quartets. While No. 5, the “Lark”, arguably is the most celebrated composition of the set, these players lavish equal care and attention on Nos. 2 and 4, and no detail is missed. The result of their devotion to these charming, sprightly works is remarkable. Effervescent rhythms bubble up; melodies sing; the opening Allegro moderato of the “Lark” dances along elegantly. No. 2’s Menuetto allegretto is never rushed, yet its almost ominous sense of forward propulsion contrasts dramatically with the stately Adagio just before and the dazzling Finale Presto that follows.
The first movement of the Fourth quartet is a great example of the musicians’ refined sense of ensemble: they end phrases on a dime, and their shades of emotion shift just as quickly and uniformly. Compared to the Festetics’ version, what is perhaps most exciting is the array of tonal colors and skillful phrasing that these period instrumentalists achieve. Equally impressive is their balance: first violinist Erich Höbart does not dominate over his colleagues, as is the case with so many other quartets. The rich sound, too, is a great improvement over the Quintana recording. This is a very fine addition to the Mosaïques’ discography, and to the Haydn catalog as well. [10/19/2002]
