This album of Old Czech Marches (old in the sense of being classics of their kind) serves to illustrate just how little the form varied from country to country in the late 19th and early 20th centuries. Whether by John Philip Sousa or František Kmoch, a march pretty much followed the same basic concept and design. Kmoch is credited with distilling and codifying the unique style of Czech brass writing, and his Jarabácek and Kolín March have become international standards. The marches of Josef Fucík (six of which are included on the disc) are distinguished by their uniquely Czech melodies and character, particularly Uncle Teddy, with its beautiful serenade-like trio (complete with harp) that just as easily could have found a home in a Smetana tone poem.
The marches by the remaining composers in this collection (including Pospíšil, Kovárík, Flegl, and Vacek) pretty much follow your basic “hut-two-three-four” pattern, but they’re all wonderfully played by the Czech Philharmonic under Václav Neumann, who conducts with his customary rhythmic impetus and emphasis on color, as well as a healthy dose of nationalistic pride. Supraphon provides clear, full, and well-balanced sound. [3/16/2002]
