Despite this disc’s title, a quick glance at the BIS catalog shows that Oren Shevlin’s cello isn’t exactly “solitary”. Frans Helmerson’s recording for the Swedish label includes one of the best available accounts of the exacting Kodály solo cello sonata, less volatile than Janos Starker’s Delos version perhaps, but much better played than Shevlin’s. It’s technically accomplished but woefully short on dynamic contrasts, and as a result it’s rather limited in idiomatic and expressive range. This is a pity given that the composer notated the performance directions so meticulously. And Shevlin’s full-on emotional out-wringings during the Adagio are anachronistic and often contrary to the musical ethos of the piece.
The Dutilleux triptych was recently recorded by young French virtuoso Emmanuelle Bertrand for Harmonia Mundi. Her version (taped in the composer’s presence) is better played and more naturally authoritative than Shevlin’s. Britten’s first cello suite brings much the best performance on this uneven disc, but Shevlin’s playing exhibits neither the stylistic refinement nor compelling physical vitality that Tim Hugh brings to his excellent Naxos version–and that still leaves Robert Cohen’s equally fine Decca rival, featuring a darker-toned, more reflective, but still exciting performance. In all, a disappointing outing from Shevlin, but fortunately there are several fine alternatives in the catalog.
