Smooth, relatively uninflected, and suavely modulated pianism characterizes Nikolai Lugansky’s interpretations of Rachmaninov’s Op. 23 Preludes, Op. 16 Moments Musicaux, and the ubiquitous C-sharp minor Prelude. The notes pose no problems for Lugansky’s pliable, well-lubricated fingers. As for the composer’s arching melodies, countermelodies, and rich harmonic imagination, Lugansky’s think tank runs perilously close to empty. Where are the G minor Prelude’s gruff, thrusting qualities, or the dynamism of the B-flat Prelude’s vertigo-inducing left-hand runs? Where is the whirling frenzy of the E-flat minor Moment Musical or C minor Prelude, or the poigancy of the D major Prelude’s devastating climax? Where are Horowitz, Richter, and Ashkenazy when we need them? Buy this disc if you want pretty playing. Buy Ashkenazy’s complete Preludes (recently reissued on Decca) if you want that, plus Rachmaninov’s soul.
