Saint-Saens Symphonies Martinon

David Hurwitz

Artistic Quality:

Sound Quality:

The symphonies of Saint-Saëns remain sadly neglected, despite the theoretical popularity, on disc at least, of the Third and last–the so-called “Organ” Symphony. All of them deserve at least occasional exposure: they’re at least as interesting as, say, Mendelssohn or Schumann, and the First Symphony, with its sexy slow movement and processional finale (scored for an additional two saxhorns, four bass clarinets, two cornets, four harps, and cymbals) has no peer in the French symphonic literature of mid 19th century (always excepting Berlioz, of course). This classic set has reigned supreme since the day it was completed in 1975, not that there’s been much competition, of course. Nevertheless, Martinon captures the spirit of these works with the same verve, shapeliness of phrase, and idiomatic flair that characterize his famous recordings of Debussy and Ravel. True, the orchestra is good rather than fabulous, and the recording is a bit cavernous in the French style of the day, but given that fact that this set costs little (whether from EMI or MHS) and includes one of the best modern “Organ” Symphonies, what have you got to lose? Go on! Give your collection a little depth.


Recording Details:

Reference Recording: Symphonies complete: This Set, No. 3 only: Munch/RCA, Ormandy/Sony

CAMILLE SAINT-SAËNS - Complete Symphonies

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Benjamin Bernheim Rules as Met’s Hoffmann
    Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
  • RIP David Vernier, Editor-in-Chief
    David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
  • Finally, It’s SIR John
    He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related