This justly famous 1955 recording has not lost its power to impress. Erich Kleiber’s leadership is golden–witty and warm, with plenty of breathing space for the singers, a knowing hand in the ensembles, and an always-true sense of proportion. The boxy, early stereo sound has been improved, but remains nothing to rave about. Alfred Poell is an authoritative, nothing-to-laugh-at Count, who sings with lots of color and energy, while Cesare Siepi is a positively brilliant foil to him as Figaro, turning out acres of velvety sound, with an ironic edge and a sure hand. Hilde Gueden may be the best Susanna on discs–all-knowing and pert without ever lapsing into either coyness or archness; she’s so good that Kleiber gives her Marcellina’s last act aria as well! Lisa Della Casa is too cool for my taste as the Countess–not enough of either mirth or sadness, depending on the situation–but always sings well. Suzanne Danco’s Cherubino is not really special, while the Marcellina, Bartolo, and Basilio are about as good as you will find. The Vienna orchestra and chorus, as we might guess, are terrific, all of which adds up to a fine choice, even if this is your only Figaro.
