This second volume in Jean-Efflam Bavouzet’s Haydn sonata cycle is every bit as outstanding as the first. As previously, he ornaments repeats liberally and observes second-half repeats, playing the codas (if any) only the second time around–a very intelligent decision. Indeed, it works so well that I would be surprised if this doesn’t turn out to be one of those “authentic” performance practices that no contemporary sources discuss because it’s so obvious on purely musical grounds.
Highlights include the splendid D major sonata (No. 50), the quick outer movements of which Bavouzet invests with irresistible energy. He’s equally adept in the slow, songful adagios, particularly the one that begins Sonata No. 19 (in E minor). It’s also remarkable how much like updated Scarlatti Sonata No. 32 (in G minor) sounds in Bavouzet’s hands. Also as before, the sonics are as brilliant and natural as the playing. A wonderful recital, from first note to last. [4/27/2011]
