It’s surprising that pianist/composer Robert Schumann wrote enough music for violin and orchestra to fill an entire CD, especially one that plays for nearly 80 minutes. But as is often the case with these “complete” collections, there’s a little fudging going on. The A minor concerto is actually a transcription (made by the composer) of Schumann’s cello concerto, and the change in instrument makes a substantial difference in the work’s effect. Instead of the somewhat somber feel imparted by the cello, the violin lends a notably sunnier cast to the music. The brighter tone engages the ear rather than tires it. (This is not to disparage the cello, but Schumann’s handling of it tends to emphasize its duskier aspects.)
Anyway, a good part of this impression is due to Lena Neudauer’s energized and highly convincing playing–she seems to be happily singing along through her instrument. The same goes for the Fantasy for violin and orchestra, which opens the disc.
Schumann’s violin concerto proper, the D minor, is similarly compelling in Neudauer’s hands as she dresses the composer’s cloying themes in a welcome romantic warmth. That said, Gidon Kremer’s edgier rendition (with Muti) provides greater aural stimulation.
The remainder of the program is comprised of three of Schumann’s 12 Pieces for Piano Four Hands Op. 85, in arrangements by Ernst Rudorff (Nos. 3 & 9) and Joseph Joachim (No. 12). These are delightful works, made even more enchanting by Neudauer’s sweet-toned, affectionate playing. Pablo Gonzalez’s lively accompaniments with the Deutsche Radio Philharmonic perfectly suit Neudauer’s approach. The recording gives a believable impression of a solo violinist in front of an orchestra in a concert hall–a rare thing in concerto productions. Schumann collectors and violin aficionados alike will find much to savor in this disc. Recommended.
