Taste, musicality, and extraordinary technical facility are among the consistent qualities of Frank Wallace’s performances, whether of his own compositions or those by other masters of the guitar. Unlike many others, some with far more illustrious careers and recording contracts, Wallace plays with exceptional clarity, from seamless, unlabored chord changes (Beata Progenies; God rest ye merry gentlemen–no audible scraping, squeaking, and sliding!) to cleanly defined multi-layered melodic lines (Cuando el Rey; March) to straightforward explication of melody against a sometimes intricate harmonic accompaniment (Greensleeves; Masters in this hall; O holy night). Listening to Wallace play this hour’s worth of Christmas music is not only easy on the ear–it’s pure pleasure.
Popular carols–Joy to the world, The First Nöel, Silent night–appear in fresh yet respectfully traditional arrangements, while we also are treated to many less familiar Christmas songs from Catalonia, Provence, England, Italy, and Spain. Wallace adds a few of his own compositions, and for me, one of the highlights of the program is his very touchingly beautiful Descent of the Doves.
The guitar and Christmas music has been a popular combination for at least a couple of centuries (remember the story of the first performance of Silent Night?), and there are many recordings seeking to exploit the potential of this promising partnership. Most are routine, unimaginative, or just plain boring. This one is a winner, affirmed by its skillful arrangements, intelligent and engaging repertoire choices, exemplary musicianship, and the warmly resonant tone of Wallace’s Ignacio Fleta instrument, complemented by very fine sound, from a Hillsborough, New Hampshire church. Strongly recommended.
