Richard Hickox’s small-scaled, period-practice approach gives Schubert’s Mass in E-flat an overall lighter feel than usual. The clearly defined instrumental textures and incisive phrasing sound closer to what we now regard as a genuine Schubertian style, rather than the heavy, ceremonial method of Wolfgang Sawallisch on EMI. With Hickox, Schubert’s rhythms spring with a lively pulse, while the harmonies have a piquancy that’s really engaging. Collegium Musicum 90’s vivid orchestral playing contributes much to this effect, as does the chorus’ fresh and vibrant singing. The solo performances also are first rate and keep consistently to the overall performance aesthetic. The recording was made in a large church acoustic that nevertheless allows for textural clarity and individual lines to be easily heard. Note how the organ blends beautifully into the overall ensemble, while the thundering timpani, with hard sticks, are quite exciting. In sum, Schubert collectors will find much to enjoy here.
