For ensemble synchronicity and fine-tuned calibration of all things pianistic, Katia and Marielle Labèque begin where most two-piano teams leave off. Their rendition of Mozart’s D major sonata leaves no detail of balance and articulation unaccounted for. The duo obviously has spent time sorting out such considerations as legato versus detached, breath pauses versus keeping the rhythm going, or how to vary frequent echoed phrases. As a result, the playing is amazingly clear yet sometimes finicky, or overinterpreted. Notice, for instance, the exaggerated contrasts in the Allegro molto’s main theme, or how the Andante’s accompanying lines tend to fidget rather than steadily support the melodic story line.
Tapered phrasings in the Schubert Fantasy’s closing sections and Allegro vivace often seem to slow the music down, in contrast to the lyrical simplicity and flow that Murray Perahia and Radu Lupu achieve in their recording. The sisters fare best in the Andantino Varié. Many duos linger over the sublime final major-key variation, but I much prefer the Labèques’ playfully winged approach. One bone to pick, though: why do they ritard on the upbeat of most of the first variation’s phrases? This effect compromises Schubert’s intended asymmetry. The attractive graphics, excellent sound, and superb annotations by Robert Levin and Malcolm Bilson deserve special mention.
