This recording positions cellist Jesús Morales far forward in the soundstage, even though the orchestral accompaniments have nothing to be ashamed of, such that the soloist’s resulting prominence sounds slightly artificial. But the upside of this is that you hear every detail of Morales’ powerful playing. The Saint-Saëns concerto’s aggressive opening matches Morales’ temperament as he masterfully communicates the work’s shifting emotions. Fauré’s serene Élégie makes for a soothing transition in Morales’ hands, displaying a softer tone with much warmth. Lalo’s concerto is the major work here; far more free-spirited and colorful than the Saint-Saëns (the intermezzo features a beautifully seductive Spanish dance), it provides ample opportunities for Morales to display his virtuoso talent, most certainly in the dramatic first movement. Closing out the program is a transcription for cello and orchestra of Fauré’s song Après un rêve. Morales’ soulful rendition proves this to be an effective arrangement, even if it cannot replace the enchantment of hearing a human voice in this beautiful music. For cello connoisseurs and French music enthusiasts alike, this is a most enjoyable release.
