This disc presents the world-premiere recording of Offenbach’s monumental Cello Concerto as originally composed and scored. The various manuscripts were only recently discovered and reassembled, with the result that one of the most important Romantic works ever conceived for cello and orchestra ought to enter the repertoire henceforth. Written around 1847, the concerto “militaire” is huge: at 43 minutes, it lasts a bit longer than Dvorák’s Cello Concerto, and the prominent parts for timpani and snare drum amply justify the title. Offenbach’s emotional range is similarly wide, while his writing for the soloist borders on the barely possible (which may serve to hinder the work’s progress). As an example of Romantic megalomania it belongs right up there with the most eccentric creations of Alkan or Berlioz. You’ll love it.
The performance here is mostly excellent. Jérôme Pernoo copes amazingly well with the work’s formidable demands, showing only a touch of unsteadiness in his highest register and a little roughness in double-stopping. Still, this is a very impressive achievement, made all the more entertaining thanks to Marc Minkowski’s vibrant and enthusiastic accompaniments.
It’s also wonderful to have new recordings of the ballet music from Die Rheinnixen, as well as the delicious Ballet de Flocons de neige (with wind machine!) from Le Voyage dans la lune. The 1874 overture to Orpheus in the Underworld makes a terrific curtain raiser to this enterprising and (for cello fans) really important release. Some light scruffiness in the string playing of Les Musiciens du Louvre hardly matters, and the sonics are very good, particularly in balancing the cello against the full orchestra. Don’t miss this!
