This is an unequal coupling in the sense that the Grieg is a faceless work that the composer was right to dismiss, while the Goldmark is a minor masterpiece that sounds as fresh and charming today as when it was written. It certainly doesn’t deserve its neglect, and López-Cobos leads a very good performance, characterized by lively tempos and fine playing by the Los Angeles Philharmonic. The Grieg isn’t badly played either, though the Bergen Philharmonic has improved considerably since this recording was released back in 1981. The early digital sonics are a bit glassy and lacking in body in the tuttis, but otherwise are perfectly acceptable. If you just want the Goldmark, then Bernstein’s recording is a must, but if the coupling appeals you can’t really go wrong here, and the price is certainly right. [3/22/2006]
