Donostia: Piano Music

Jed Distler

Artistic Quality:

Sound Quality:

The conservative idiom characterizing the piano music of Padre José Antonio Donostia (1886-1956) draws upon the more whimsical side of his contemporaries Debussy and Ravel, as well as Chabrier’s effervescent keyboard writing, Grieg’s rustic lyricism, and Fauré’s linear refinement. Traditional Basque folk songs provide the basis for the 21 Basque Preludes plus the six shorter works that fill out this disc. While Donostia reproduces the songs in straightforward, unadulterated fashion, he decorates them with imaginative harmonic progressions and vibrant, resourceful pianism. I imagine that these works must be as grateful to perform as they are delightful to hear, if we go by Jordi Masó’s masterful, fluid performances. His melodic shaping and rhythmic fluency over the course of the 21 Preludes, for example, easily surpasses Ricardo Requejo’s slower and choppier readings on Claves. If you missed this attractive release on Marco Polo in 2000, grab it now on Naxos for half the price.


Recording Details:

Reference Recording: This one

PADRE JOSÉ ANTONIO DONOSTIA - Basque Preludes; Andante for a Basque Sonata; Nostalgia; Heartfelt Prayer to Our Lady of Socorri; Basque Minuet; On the Banks of the Ter; Tiento and Song; Homage to Juan Crisóstomo de Arriaga

    Soloists: Jordi Masó (piano)

  • Record Label: Naxos - 8.557228
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Benjamin Bernheim Rules as Met’s Hoffmann
    Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Despite its
  • RIP David Vernier, Editor-in-Chief
    David Vernier, ClassicsToday.com’s founding Editor-in-Chief passed away Thursday morning, August 1, 2024 after a long battle with cancer. The end came shockingly quickly. Just a
  • Finally, It’s SIR John
    He’d received many honors before, but it wasn’t until last week that John Rutter, best known for his choral compositions and arrangements, especially works related