These classic performances deserve the respect accorded them for nearly half a century. Rudolf Serkin is a model Mozart pianist, not just with respect to the taste and virtuosity of his playing, but also in his understanding of how best to relate to his musical surroundings in a true chamber music give-and-take with the orchestra. You can hear this very clearly in the finale of Piano Concerto No. 19, where piano and winds play cat and mouse games with the more serious strings, or in Serkin’s dramatic interventions in the first movement of Concerto No. 20. And of course, Szell’s contribution is every bit as commanding and polished, tightly controlled as may be expected but never stiff or mechanical. Sonically these recordings are dated, no doubt about it, but never to the point where the sonics get in the way, and the balances are excellent. This “expanded edition” also includes an equally fine account of the Concert Rondo K. 382, a most welcome bonus. First rate. [7/19/2004]
