Recorded exactly 50 years ago (1954) in Vienna–in mono–this reissue sounds as if it could have been recorded last week, and for fans of Alfred Deller (and who isn’t, really?) this CD is an essential re-visitation of an era when early music and period instruments had nothing to do with a “movement” and everything to do with making a well-intended stab at bringing to life repertoire that was old and neglected, yet had the potential to be compelling and stimulating for 20th-century listeners, most of whom had never heard music like this before. It was an un-selfconscious and, in Deller’s case, completely sincere effort, born of a deep commitment to music in general and specifically to the beauty of melody and the poetic word.
Deller, the first modern virtuoso countertenor, is most often cited for his unmatched expressiveness, his ability to hold an audience rapt with his long-breathed phrases and uncanny, subtle shadings of tone and dynamics. And if you’re wondering what this is about, just listen to his rendition of Dowland’s “If my complaints”, a virtual clinic in vocal poetry. Listen carefully, or you’ll miss the most finely-wrought, heartfelt utterances ever captured on a recording.
Deller’s exemplary solo performances are supplemented by instrumental pieces for viols and/or lute, and we’re reminded of how at this stage in period-instrument performance, such things as tuning and consistency of ensemble balance could be rather ephemeral or at least unreliable. Yes, we’ve come a long way in 50 years, but the world has not seen the equal of Alfred Deller; even though we have countertenors today with purer, more even and luxurious tone, none of these magnificent singers surpasses Deller in sheer, fundamental artistry or an understanding, internalized feeling for the art of song itself. Hear this, and believe. [6/15/2004]
