Your guide to classical music online

Märkl Manages Saint-Saëns Symphonic Poems

David Hurwitz

Artistic Quality:

Sound Quality:

There is no truly great disc of the four Saint-Saëns symphonic poems. Perhaps the best of them is the old Pierre Dervaux on EMI, but something about the music has lead to it being treated very much as a sort of afterthought. Granted, there are some wonderful individual performances: Danse macabre from Ormandy, lots of nice versions of Le Rouet d’Omphale, and La Jeunesse d’Hercule, the largest of them all, tends to more or less play itself. But I have yet to hear a version of Phaéton with a really pulverizing thunderbolt climax, and this excessively swift performance certainly doesn’t make the best case for the piece.

Indeed, that one example of interpretive liberty aside, and it’s not a positive one, these are thoroughly ordinary but always competent versions. Märkl seems to have few ideas about the music, and no special points to make, though the results are pleasant enough. The couplings might make the disc more interesting, though they are not major pieces, and total playing time is still short of an hour. If you’ve already got the tone poems, either from Dervaux or Dutoit (next best), you’ll have no reason to give this release a second glance. If you’re new to the music, these performances don’t let down the show, but they don’t thrill either.


Recording Details:

Reference Recording: Dervaux (EMI/Warner)

  • Record Label: Naxos - 8.573745
  • Medium: CD

Search Music Reviews

Search Sponsor

  • Insider Reviews only
  • Click here for Search Tips

Visit Our Merchandise Store

Visit Store
  • Ideally Cast Met Revival of Gounod’s Roméo et Juliette
    Metropolitan Opera House, Lincoln Center, NY; March 19, 2024—The Met has revived Bartlett Sher’s 1967 production of Gounod’s R&J hot on the heels of its
  • An Ozawa Story, November, 1969
    Much has justifiably been written regarding Seiji Ozawa’s extraordinary abilities and achievements as a conductor, and similarly about his generosity, graciousness, and sense of humor
  • Arvo Pärt’s Passio At St. John The Divine
    Cathedral of St John the Divine, New York, NY; January 26, 2024—When one thinks of musical settings of Christ’s Passion, one normally thinks of the