TEATRO D’AMORE

For her first disc on Virgin, Christina Pluhar delivers the goods: she remains at the pinnacle of her niche of “popularization” of Baroque music. By

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ITALIAN OPERA ARIAS

It’s rare that sopranos with very slim voices carry real emotional weight, but Natalie Dessay is one that does. Here she sings pretty standard coloratura/bel

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Scarlatti: Sonatas/Pletnev

No question, folks: Mikhail Pletnev’s Scarlatti is all about the piano and piano playing. Would this virtuoso’s perfumed pedalings and stretched-to-the-max rubatos have curled Scarlatti’s

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