
Truls Mørk’s approach to the grim opening of Elgar’s Cello Concerto is appropriately stark. His hard, lean tone is in marked contrast to the full,
This debut recording by Daniel Harding, the 23-year-old British music director of the Deutsche Kammerphilharmonie, evinces much youthful enthusiasm but shows little other identification with
This is a delightful collection of American songs, some for soprano, some for mezzo, some for both with boychoir, and some (arranged or composed) for