
German soprano Simone Kermes, she of the flaming red hair, flashy gowns, and jittery dance movements on stage, has become, unavoidably, a cult figure. Specializing
Christian Thielemann hates rhythm. Schumann demands it. Thielemann despises sudden
In 1974 Columbia Masterworks, in association with the Afro-American Music
The Juilliard Quartet’s recordings for Columbia (now Sony/BMG) deserve a
Khatia Buniatishvili continues to toe a line between airheaded and artistic music making in this Schubert release. She plays the great B-flat sonata’s long first
If you think that language, text, and story matter above
While I cannot imagine anyone actually needing this CD, it has some pleasures to offer. Roberto Alagna, once the Wunderkind, so-called Fourth Tenor, never quite
For a clear and colorful evaluation of what made soprano
This is a rather unusual pairing, as Tchaikovsky and Schoenberg seem about as far apart as any two composers could be. (Although one could argue
André Previn is one of those artists who’s difficult to