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Your guide to classical music online
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Your guide to classical music online
Let’s not waste time. This is a senseless grab-bag of Stravinsky chestnuts, played with (at best) average intensity and conducted with average insight, recorded in
No one need bother with these hot and heavy interpretations
No need to waste much time here. Pletnev’s versions of
Bohuslav Martinů, the cosmopolitan-by-fate who grew up with a bird’s
Pierre-Laurent Aimard’s long association with Olivier Messiaen’s music dates back to the early 1970s, when the teenaged pianist was a protégée of both the composer
What to make of this dark horse candidate into the Otello sweepstakes? Well, were I to have been in Lisbon in July, 2016, and had
There were two major currents in Dvorák’s music personality: the
Measure eight of the Seventh Symphony’s opening movement contains a
Does Andrés Orozco-Estrada really like Dvorak? I’m not so sure. What else explains a performance so lacking in character, played with such a limited range
Many of my friends and respected colleagues, including the wise and discerning Thomas May (who wrote the enlightening notes that accompany this recording), find this
