
Poulenc’s music is supposed to be lighthearted, easy to play, and not too technically demanding. Why then are there so many lousy performances of it?
The programming is wonderful: three symphonies, one overture, and Haydn’s
Philippe Herreweghe really ought not to be conducting romantic orchestral music. He has no feeling for it at all. In the baroque works on which
The Outhere label’s “Rewind Collection” consists of reissues drawn from various European independent labels. This 2005 Scarlatti recital by pianist Racha Arodaky, for example, originally
Perversity can be fun. Celibidache, for example, was perverse, but there was method to his madness, and an undeniable level of commitment to anything he