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Your guide to classical music online
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Your guide to classical music online
What a strange mixture of the old and new Hugo Alfvén’s music represents! His Fifth Symphony, which he worked on for some 20 years in
And Naxos keeps pulling young keyboard comers out of the woodwork. The label’s eighth Scarlatti sonata volume showcases Soyeon Lee, who won Concert Artist Guild’s
Malcolm Williamson’s choral music is admirable for its concepts, its expansive dimension, its harmonic adventurousness, and its intriguing, constantly shifting momentum; it’s difficult to love,
In days of yore, when the piano served as ye olde home entertainment center, a great demand existed for small pieces that were easy on
German-born Simon Mayr received his musical training in Italy (he’s also properly known by his Italian name Giovanni Simone Mayr), and that’s where he spent
First a little bit of housekeeping: Despite the identification of Le Triomphe funèbre de Tasse as “Symphonic Poem No. 2”, it actually is No. “2a”
Having the same surname as Russia’s greatest composer, Peter Ilyich (no relation), surely got Boris Tchaikovsky attention that otherwise might not have come his way.
The bottom line first: If you want to hear Sibelius songs performed to the highest vocal and interpretive standard, look for Anne Sofie von Otter
Because John Adams’ small yet substantial solo and duo piano output, succinctly described by my colleague Victor Carr Jr (type Q8917 in Search Reviews), has
Andrzej Panufnik’s music seems not to be garnering much continued attention in the decade and a half since his death in 1991. He was a
