

While not perhaps among Handel’s finest choral works, these anthems nevertheless show the composer’s abundant skill with texts, dramatic flair, and abiding awareness of occasion,

Volume 2 of pianist Giorgio Koukl’s complete Martinu cycle begins with the three books of Puppets, composed between 1912 and 1924. These charming miniatures aim

Peter Donohoe and Martin Roscoe take to Rachmaninov like ducks to water. They luxuriate in his opulent keyboard idiom and even evoke the composer’s own

With characters named Wrestling Bradford, Praise-God Tewke (and his daughter, Plentiful), Lady Marigold Sandys, Sir Gower Lackland, Faith-Not Tinker, and Peregrine Brodrib we are obviously

Of the four available recordings of this great opera–Rossini’s last comedy–this is the weakest but is not entirely dismissible. It has charm, life, and energy

Solid performances and sonic excellence place the Vermeer Quartet’s Bartók Quartets near the top among budget-priced recommendations. At times, you might take issue with first

These two violin concertos comprise some of the finest music for violin and orchestra written in the 20th century. They are very different: the First

Ciro in Babilonia was Rossini’s first opera seria. Actually, it was performed during Lent, 1812, and the just-20-year-old composer had to call it a “dramma

After excellent accounts for Naxos of Tchaikovsky’s First and Third piano concertos, Konstantin Scherbakov and Dmitry Yablonsky offer an even finer sequel. Indeed, this performance

There’s a contradiction at the heart of collecting historical recordings. However much they pretend that the sonic limitations of early or pre-LP sources often matter
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