
This recording of Amèriques is unique in that it uses the original version for 155 players. Following the piece with the revised score in hand
A few days ago I received a call from my colleague Christophe Huss. “Have you heard the new La Mer from Jun Märkl and Lyon?
Francesco Nicolosi’s Scarlatti playing is unabashedly pianistic in its wide dynamic range, discreet octave transpositions in the bass register, and liberal yet never garish use
There are fine recordings of Haydn’s Violin Concertos by the likes of Arthur Grumiaux and Christian Tetzlaff, among others. Here’s another that belongs in their
Antoni Wit almost always can be relied on to deliver very thoughtful, beautifully musical, even inspired results, and there’s no question that he conducts these
Thomas Stacy, the New York Philharmonic’s English horn player, turns to the instrument’s relative, the oboe d’amore, with four delectable concertos for that instrument by
These are very good performances, no doubt about it, but the competition in this repertoire is very, very strong. In the Variations, Marin Alsop’s flexibility
Bartók’s exotic and richly colorful Wooden Prince ballet functions best when performed in the theater with dancers on stage. As a concert piece, there are
Listeners who enjoy traditional English/Anglican hymns will love this collection, performed with the lively spirit and knowing style we would expect from one of Britain’s
The Concierto serenata for harp and orchestra is Rodrigo’s finest concerto, the one best suited to its solo instrument, with tunes and timbres that reveal