

The Gondoliers was the closest the Gilbert and Sullivan team came to writing a full-fledged opera, and it’s wry book and catchy tunes have kept

The early 1950s D’Oyly Carte Decca recordings of the Gilbert & Sullivan operettas tend to be devalued these days, connoisseurs preferring the vintage versions from

This is an absolutely terrible performance of Daphnis et Chloé. Naturally the Lyon orchestra has the notes down pat, but in every other respect Jun

Although the whole performance is top-notch, the main reason for owning this Cenerentola is the warm, delightfully human, and stunningly sung Cinderella of Joyce DiDonato.

Slowly but surely Giuseppe Martucci’s orchestral music is making headway on CD. In 2007 Brilliant Classics reissued ASV’s complete cycle, while my colleague Victor Carr

The principal attraction of this second installment in Naxos’ complete Debussy cycle lies in Marius Constant’s 25 well-put-together minutes of music from the opera Pelléas

This second installment in Peter Breiner’s series of suites from Janácek operas is more successful than the first. It’s particularly exciting to hear the music

The principal attraction of this release lies in Andy Stein’s arrangement of “Death and the Maiden” for full orchestra (as opposed to, say, Mahler’s transcription

This disc recalls the heady days of Munch and Bernstein in this music. Stéphane Denève, music director of the RSNO since 2005, plays Roussel’s music

Has anyone ever noticed that William Walton lifted the climaxes of the first movement of his Partita for Orchestra bodily from the Prélude of Roussel’s
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