Messiah/Naxos

On January 16, 1770, as revolution was brewing in England’s North American colonies, “an extract from Mr. Handel’s Grand Oratorio, called the Messiah, consisting of

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Louise/Met/Naxos C

Gustave Charpentier’s Louise was the French answer to the emergence of Italian verismo opera in the 1890s. Its four acts encompass a vivid soundscape of

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