

Ignaz Friedman’s boundless technique, juicy tone, and larger-than-life temperament truly justify his standing alongside other so-called Golden Age piano legends such as Hofmann, Rachmaninov, Lhevinne,

With Volume 4, pianist Beatrice Long makes her first appearance in Naxos’ complete Scarlatti sonata survey. Much of her artistry is a joy to behold.

The term “youth choir” can conjure many different images, from the most basic elementary school group to professional-quality ensembles. This choir from Alexandra Township in

The tricky task of recording pipe organs–which necessarily requires accommodating the idiosyncrasies of both instrument and the venue where it happens to reside–usually is left

The plot of this “Bizarre Deception” (a translation of the title) concerns the growing love between book-loving Ernestina and her tutor, Ermanno, which is being

Bass Samuel Ramey is past his prime. The voice still impresses with its beauty and breadth, but here, in a one-man show recorded over a

Three major works demarcate Aaron Copland’s output for violin and piano, alongside a handful of shorter character pieces and Louis Kaufman’s effective arrangements of the

What more can anyone to add 75 years’ worth of commentary about these vital, communicative, timeless interpretations? Each trio member’s strong individual profile asserts itself,

Previous Naxos releases testify to pianist Bernd Glemser’s sure command of Rachmaninov’s gnarly piano writing and Scriabin’s structural restlessness. So it comes as no surprise

Benno Moisieiwtsch had a knack for making Liszt’s more flamboyant concoctions sound noble, poetic, and utterly important, as you can readily hear throughout the Hungarian
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