

Heidi Lowy plays Mozart’s sonatas as if her concert grand were a period instrument, with a dynamic range from piano to mezzo-forte and a delicate

I missed these Haenssler (here licensed to MHS) recordings on initial release a couple of years ago, and it was my loss. These are some

Neville Marriner’s Schumann cycle for Hänssler (and MHS) ranks among the finest work he has ever done, and certainly belongs among the reference editions of

Given the unevenness of Leslie Howard’s complete Liszt cycle for Hyperion, I approached Volume Two of the piano/orchestral works (licensed from Hyperion by Musical Heritage

Vladimir Fedoseyev’s interpretive preferences rarely take in extremes of excitement, and this means that the ferocious second movement of the Tenth Symphony comes off sounding

Understandably, the Béroff/Masur Prokofiev concerto cycle for EMI, licensed by MHS, has been overlooked in contrast to its Ashkenazy/Previn rival on Decca. Yet I’ve long

Since the focus of this release is Clara Schumann’s restored piano, a Breitkopf & Härtel Concert-Flügel, we’ll discuss the instrument first. Its tangy sonority resembles

This latest remastering of Eugen Jochum’s celebrated Bruckner cycle with the Staatskapelle Dresden has significantly improved sound with greater clarity and presence, especially in the

This is a re-release of pieces that originally appeared on Chandos, and they rank among the catalog’s best performances of these standard Benjamin Britten works.

Vincent d’Indy (1851- 1931) has more than once been called the French Frederick Delius. Like Delius, d’Indy composed in a distinct style of Romanticism that
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