Poulenc Piano Concertos

Here’s a delightful release, including the best-ever recording of Poulenc’s Piano Concerto (not that there’s been all that much competition), a work that seems never

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Fedoseyev Tchaik 4

Throughout his Tchaikovsky symphony cycle Vladimir Fedoseyev has striven to expose the music’s inner detail, and he has achieved this to such a degree that

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Franck’s Redemption

César Franck’s Rédemption is not easily pigeonholed. It’s not exactly an oratorio, even though it employs soloists and choir and concerns itself with Godly matters.

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Boulez Messiaen

Messiaen was his own worst enemy when it came to vocal writing. Not only are his own texts often embarrassing (to the extent they are

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Harmonious Bells

Robert Shaw’s reading of Harmonium is quite lush, luxuriating in the score’s shimmering harmonic contours. Full-bodied, sonorous singing from the Atlanta Symphony Chorus illuminates Adams’

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Barber Concertos

This disc offers a unique coupling of two of Samuel Barber’s finest works in excellent performances. Robert McDuffie delivers a satisfyingly heartfelt rendition of Barber’s

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STOKOWSKI’S WAGNER

Leopold Stokowski’s Wagner arrangements went beyond the traditional “bleeding chunks” excerpts and incorporated much more of the opera’s action, often sequentially placed, creating a “symphonic

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Double Tchaik Cello

This unusual collection not only presents a unique program for cello and orchestra, but also showcases Victor Simon’s amazing skills on his instrument. The stately

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