
A picture of an American flag and a (near-microscopic) list of four prominent 20th-century American composers on the cover leaves little doubt about the concept
It’s curious, but this this splendid set never seems to
Considering his influence and output it’s incredible that, with the
In most respects Garrick Ohlsson’s Hyperion remake of the Debussy Etudes differs from his earlier Arabesque version released in 1990. For starters, the engineering is
A seemingly fresh approach to a familiar piece often results from a pianist paying unusual attention to details in a score that others take for
Parnasso in Festa might best be translated as “The Gods
Cellist Mats Lindström and pianist Bengt Forsberg excel in this
You really want to like Edouard Lalo’s first two piano trios. The composer writes supremely well for violin, cello, and piano, and handles the genre
It’s rare for a pianist to reveal familiar repertoire in fresh and newly minted ways without being willful, eccentric, or unorthodox. Not Stephen Hough. His
The anticipation builds during the introduction to Emma Kirkby’s entrance