
While the Brahms selections in Doremi’s twelfth Sviatoslav Richter Archives release do not add to this pianist’s recorded repertoire (with one exception, the D minor
Volume 8 in Doremi’s ongoing Sviatoslav Richter series unearths a previously unpublished recital taped on March 18, 1990 in Savona, Italy. Mozart’s B-flat major Sonata
Volume Seven in Doremi’s ongoing Sviatoslav Richter series focuses on the great pianist’s Schumann (both Robert and Clara, as we shall see). Richter’s main competition
Had Erich Kleiber not left two significant studio recordings of Beethoven’s Eroica for Decca, this 1955 Stuttgart Radio Orchestra reading would be more valuable to
Pianist Lubka Kolessa was born in Galacia in 1902 and studied with the noted Liszt pupils Eugen D’Albert and Emil von Sauer. During the war
Sviatoslav Richter was possibly the greatest Prokofiev pianist who ever lived. He had a unique way of unlocking the music’s pianistic beauty and poignant lyricism
With few exceptions Michael Rabin’s legacy on disc focuses on dazzling Romantic concerto showpieces and encore-type bonbons. For this reason alone, the Beethoven and Fauré
Artur Schnabel’s Bach recordings have gained previous CD reissue on Pearl, coupled with the pianist’s Brahms Concertos. While Pearl’s transfers were not what they could
Of Doremi’s ongoing Richter series, the present release is perhaps the most valuable. On balance, this live Brahms B-flat from Bucharest is Richter’s finest recording
Doremi continues to mine rare postwar Melodiya bounty, launching a series devoted to Emil Gilels. His 1947 Beethoven Third is the first of his six