
This coupling offers two of Leonard Bernstein’s greatest late recordings. […]
Having conquered the lyric tenor roles (Alfredo, Nemorino, Hoffmann) and impressed in more heavy repertoire (Werther, Don Carlo, Rodolfo), while singing each role with a
Here, in the composer’s most transparent, un-sentimental score, Sinopoli gets
Of the three random boxes of Ozawa stuff that Universal
I am sitting here trying to sort out three inanely
The 1970s was the decade, discographically speaking, when the Mahler
These performances have been reissued literally dozens of times, collectively,
This well-nigh definitive recording of Berlioz’s Romeo and Juliet last
Debilitating illness and premature death prevented Ferenc Fricsay from extensive
Maurizio Pollini’s first recording of Brahms’ D minor concerto, a collaboration with Karl Böhm and the Vienna Philharmonic, came out in 1980. Not leaving well