
This performance has two things going for it: the Tölzer Knabenchor, and Randall Scarlata’s dignified and well-sung performance as the Celebrant. Everything else is simply
This latest disc in Chandos’ continuing survey of the works of Arnold Bax contains world premiere recordings. It opens with the London Pageant, which Bax
Cheerless, philosophically dark, and devoid of hummable tunes (despite using Leitmotifs), Rachmaninov’s early The Miserly Knight (based on a story by that merrymaker, Pushkin) nonetheless
Georg Vogler was one of the 18th (and early 19th) century’s great “characters”. He began his career at Mannheim where, if Mozart is to be
Here is a top contender among the increasing number of discs devoted to Mendelssohn’s six organ sonatas Op. 65. Although the Buckingham Palace Ballroom’s 1818
On balance, this remains the finest performance of Arthur Bliss’ rich and ripe A Colour Symphony, with its chivalric subtext and dynamic treatment of a
Gianandrea Noseda does a good job with the Dante Symphony’s first movement (the only part anyone cares about). He whips up the opening storm excitingly,
This is the second volume of soprano Christine Brewer’s arias in English for Chandos. I thought the first one (type Q9665 in Search Reviews) was
Jennifer Larmore starred in Teldec’s 1997 complete recording (in Italian) of this opera, and along with Marilyn Horne’s (Erato) theirs have been the benchmark recordings
How do you blow a Wolf-Ferrari program? Even Neville Marriner, not exactly Mr. Personality on the podium, delivered fine performances of this largely unassuming, colorful,