
I don’t believe the Tallis Scholars have recorded any of Arvo Pärt’s music before; their repertoire has been happily and brilliantly placed in the Renaissance,
Few things are as satisfying to a choral music fan
The Holbein drawings of sheep (lambs, actually) on the CD cover are a charming symbolic visual nod to composer Jean Mouton, and the Tallis Scholars
Among the dozens of memorable Tallis Scholars recordings over the past 30 years, this one stands as one of the most purely beautiful–vocally, sonically, and
Since The Tallis Scholars are no strangers to Josquin, and since in the last couple of years the ensemble has repackaged some of its earlier
This is not technically a “new” release, but its existence and reissue in 2007 on the Tallis Scholars’ Gimell label may come as something of
For more than 25 years Peter Phillips and his Tallis Scholars have shown how scrupulous dedication to a specialty (Renaissance vocal music), uncompromising performance standards,
Although it’s difficult to discern from the outer packaging, this two-disc Palestrina compilation is made from several earlier Tallis Scholars recordings, including the group’s groundbreaking
We could spend a lot of time discussing comparisons between the Tallis Scholars’ original, now-classic 1980 recording of the Allegri Miserere and Palestrina Missa Papae
Back in 1981 an English vocal ensemble called The Tallis Scholars issued its first recording, Palestrina’s Missa Benedicta es, made in the ideal acoustic setting