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Your guide to classical music online
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Your guide to classical music online
The solo part of Adolph von Henselt’s once popular and long-out-of-fashion Piano Concerto is more difficult to play than it sounds, with its tricky double
Franz Berwald’s Violin Concerto begins with a very Schubertian andante, literally at a walking pace, with that master’s characteristic melodic turns in the second theme.
This latest installment in Thomas Dausgaard’s ongoing effort to downsize the romantic symphonic repertoire isn’t as bad as some of his previous releases, but it’s
As time goes on, the clearer it becomes that for Tomas Dausgaard music starts with Carl Nielsen. In very late romantic and twentieth-century repertoire, he
Thomas Dausgaard’s ongoing project for Simax to record all of
This series goes from strength to strength. Boris Berezovsky has
This release brings Thomas Dausgaard’s survey of Beethoven’s orchestral works and Boris Berezovsky’s concerto cycle to a stimulating close. The “Emperor” Concerto’s first movement is
Thomas Dausgaard has such a convincing way with Tchaikovsky’s Pathétique symphony that I couldn’t help wondering how much finer this would have been if he
Thomas Dausgaard and the Swedish Chamber Orchestra’s ongoing program to de-romanticize Schubert and Schumann has had largely unsatisfactory results. There’s nothing more fundamentally irritating than
Thomas Dausgaard has some interesting ideas about Schumann’s Symphony No. 1. He takes Schumann’s Allegro molto vivace marking to heart and drives the first movement
