
What can you say about perfection, except, “Here it is; have a listen.” The conductorless Prague Chamber Orchestra plays the Serenade with an ideal combination
Heinrich Baermann (1784-1847) probably is best known as the composer of an Adagio for clarinet quintet originally attributed to Wagner. In his day, though, he
Haydn’s diurnal trilogy, Symphonies Nos. 6, 7, and 8 (subtitled “Morning”, “Noon”, and “Night”), makes an engaging program when coupled with Symphony No. 22 in
Cherubini was the best organized of composers, even to the point where he wrote his own Requiem Mass, for orchestra and male choir. Given the