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Your guide to classical music online
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Your guide to classical music online
This is Volume 62 in Hyperion’s epic and seemingly endless […]
Franz Krommer was such a fine composer–perhaps not the most original voice of his age (1759-1831), but a really good musician who could produce characterful
Franz Krommer evidently took writing symphonies seriously, waiting until he
Franz Krommer (1759-1831) was a first rate composer. As you
Diversity is the key word for the 2015 “Martha Argerich and Friends” edition culled from the Lugano Festival’s Progetto Martha Argerich. The legendary pianist participates
You can’t fault Howard Shelley and his orchestra or suggest that they are not trying. In fact, they play well. The problem lies with the
Throughout the 1960s, ’70s, and ’80s Marilyn Horne was the greatest bel canto mezzo-soprano in the world, a position that, despite the rise of great
Martha Argerich purports to avoid the soloist’s limelight in order to focus on the collaborative give and take of concerto playing and chamber music partnerships.
This identical program appears on a Koch-Schwann release in which Jacques Houtmann conducts the Liège Symphony Orchestra with chorus and soloists, but the new Naxos
Ferdinand Herold (1791-1833) is known today chiefly for the jaunty overtures to his operas, including Zampa (1831) and Le Pré aux Clercs (1832), but not
