
My colleague David Hurwitz succinctly described the orchestral style of Paul Ben-Haim (1897-1984) as akin to Hindemith, but with less clunky rhythms and a bit
Listening to Kurt Atterberg’s symphonies together in sequence (the collection
Charlie Chaplin wrote most of his own film scores. Although
You have to give Howard Griffiths and his fine orchestra
A puzzling composer, Kabalevsky in his first two symphonies offers
As I mentioned in my review of Paul Graener’s piano
Spohr subtitled his Fourth Symphony “The Consecration of Tone: Characteristic Tone Painting in Symphonic Form”, and prefaced it with a long-winded poem of the same
Gustave Kerker (1847-1923) was born in Germany, raised in America from childhood, and became in his day a popular musical theater composer and contributor to
Kabalevsky’s piano concertos have been well served on disc recently, with new recordings on Naxos and Chandos. The First concerto is the most ambitious, a
These two piano concertos date from an earlier period than the two violin concertos already released in this series. Piano Concerto No. 2 was composed