

Benno Moisieiwtsch had a knack for making Liszt’s more flamboyant concoctions sound noble, poetic, and utterly important, as you can readily hear throughout the Hungarian

Here is the fourth notable CD transfer of Joseph Szigeti’s great 1928 Brahms Concerto, and the second remastered by Mark Obert-Thorn. If Obert-Thorn’s earlier Pearl

If a no-name pianist and fair-to-middling conductor and orchestra turned in a recording of Tchaikovsky’s First Piano Concerto like this today, no one would give

Barbirolli’s Haffner Symphony offers a lively and stylish interpretation, full of warmth and energy, assuming you can accept cavernous 1967 Royal Albert Hall recorded sound

André Navarra’s playing is remembered today for the force of his irrepressible personality put in service of the demands of the music. He was highly

This collection exactly duplicates the 1905 concert in which these works were premiered. The “Lieder-Abend” introduced a new musical format: the orchestral song. In recreating

These performances stand as a tribute to John Barbirolli’s heroic, decades-long effort to raise the playing standards of the Hallé Orchestra from fourth rate to

This concert, captured in May, 1970 in okay stereo sound just 10 weeks before the conductor’s death, has been kicking around for a while from

It’s important to remember just how “local” the record business was in the 1940s and ’50s. There were no great, international entertainment conglomerates as we

Colin Matthews’ musically undistinguished and pointless addition to Holst’s masterpiece demonstrates the triumph of the unmusical. After all, the fact that Pluto hadn’t been discovered
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